(128)
Crane Experience Center, Kelbra Dam

COMPETITION ORGANISER
Saxony-Anhalt dam operation

LOCATION
Kelbra DAM

PROJECT TYPE
NEW DEVELOPMENT

COMPETITION
INTERDISCIPLINARY ARCHITECTURE COMPETITION

Visible from afar, the concise form of the experience center already intuitively conveys the purpose of the structure. The wide cantilevered canopies welcome visitors with a pavilion-like inviting gesture as a point of attraction in the natural landscape. The projections of the upper floors, which are staggered over the floors, allow associations with typical observation towers and already arouse curiosity about the view that can be obtained from up there. Different familiar motifs come together to form something new and independent. As an overarching first point of contact, the new building stands out clearly from the existing functional buildings and represents an appropriate prelude with an identity-forming effect for the juxtaposition of the various leisure uses on the lake.

(124)
In Memoriam Mollusca, Wilhelmsthal Castele, Kassel

COMPETITION ORGANISER
MUSEUMSLANDSCHAFT HESSEN KASSEL

LOCATION
CALDEN

PROJECT TYPE
SCULPTURE

COMPETITION
ART COMPETITION

The shell sculptures are covered with a deep-green layer of moss that fills the grotto conches in Wilhelmsthal Castle Park. 

Stemming from the original construction period, the theme of shells is picked up on and given a new role: instead of acting as a decorative background, ornamentation or a building material for sculptures, as would have been the case in the Roccoco period, the shell becomes a protagonist itself. 

IN MEMORIAM MOLLUSCA also transfers shells to the present day on another level: by choosing three endangered shell types, the artwork attracts attention to the rapid worldwide decline of shells as a result of climate change and marine pollution.

The forest scent and the gradual changes in the moss growth make the artwork a sensory experience and invite people to visit it more than once.

(123)
Studios Giebichenstein, Halle

COMPETITION ORGANISER
Burg Giebichentein

LOCATION
Halle

PROJECT TYPE
New development

TEAM
Rabe Landschaften

COMPETITION
INTERDISCIPLINARY ARCHITECTURE COMPETITION

The Studio and workshop building forms a clear, Compact volume in the street alignment of Seebener Street. Due to its location the new building forms a generous square to the east and creates open space to the south.

Typologically, the new studio and workshop building oscillates between production building, cultural building and market hall. The special spatial feature is the interior, building-high open space, which serves as a meeting point, workyard, workspace and event hall. The interior marketplace and the informal spiral staircases ensure easy orientation in the building. More public uses, such as the refectory and gallery, are located directly on the square and are both separable and extendable to form the hall.

The predominant atmospheric material for the inner and outer shells and surfaces is wood.

(122)
GERMAN ENVIRONMENT AGENCY, BERLIN

COMPETITION ORGANISER
GERMAN ENVIRONMENT AGENCY, DESSAU 

LOCATION
BERLIN

PROJECT TYPE
CONVERSION AND EXTENSION

TEAM
GLASS KRAMER LÖBBERT

COMPETITION
IMPLEMENTATION COMPETITION

The Dahlem research campus for the German Environment Agency will receive a new, more inviting public image, which was urgently required. The main entrance is situated at the widely visible tower, in a key position in the central avant-corps, thereby defining and consolidating the building’s symmetry. 

The historical laboratory building has a highly functional, robust and convertible structure. Despite its age, it anticipated the demands of sustainable architecture: even after a century, the building can still continue to be used with acceptable effort. The new laboratory wing’s structure is defined by the existing development.

Access routes, communally used functions and prestigious spaces in the existing architecture are thereby also activated in a coherent, barrier-free way for the new building. The new laboratory wing complements the incomplete Wilhelminian building in an appropriate and natural manner. Its exterior appearance is autonomous, while respecting the older building fabric. The resulting highly user-friendly, flexibly zonable spaces have a regular, simple structure.

(120)
OBERHESSISCHES MUSEUM GIESSEN, COMPETITION, 1ST PRIZE

COMPETITION ORGANISER
MAGISTRACY, CITY OF GIESSEN

LOCATION
CITY OF GIESSEN

PROJECT TYPE
MONUMENT REFURBISHMENT AND NEW BUILDING

CONSTRUCTION COSTS, COST GROUPS 200 – 800
EUR 6,000,000.00

PERFORMANCE
PERFORMANCE STAGES 1–9

COMPETITION
1ST PRIZE, IMPLEMENTATION COMPETITION

Especially in Giessen, where so few historical buildings have survived, it is hardly possible to find an appropriate location to communicate urban history: based on the relics of Giessen Castle, known as the Wasserburg, which forms the nucleus of the city, the two houses on Kirchenplatz represent different temporal layers – including one of the oldest half-timber houses in Hesse. Major measures and undermining extensions only weaken the concise nature of this unique ensemble.

The key architectural prerequisite for a pleasant museum experience is a connection between the two buildings, thereby enhancing their inviting character and enabling a coherent interior museum tour. The inserted, well-lit staircase guides visitors to all levels and makes the historical architecture and the exhibition very tangible. Although the finely-structured, transparent extension is clearly recognisable as a contemporary structure, it merges with the existing structures to form a homogeneous unity through its references to the identity-strengthening architecture. The enlarged entrance opening highlights the museum’s self-perception as a publicly open facility.

(109)
FORMER COOKER FACTORY, OFFENBURG, COMPETITION, STAGE 2

COMPETITION ORGANISER
GEMIBAU MITTELBADISCHE BAUGENOSSENSCHAFT EG

LOCATION
OFFENBURG

PROJECT TYPE
NEW BUILDING

COMPETITION
OPEN IMPLEMENTATION COMPETITION

Living at a historical location.
The romantic-sounding image of a deserted industrial facility is picked up on, alienated and developed further to create its own identity for a liveable neighbourhood. 
Newly developed buildings and open spaces merge with the existing structures to achieve a characteristic whole.

(106)
WATER SPORTS AND ACTIVITY-ORIENTATED MONASTERY LEARNING CENTRE

ORGANISER
LANDESSPORTBUND THÜRINGEN E.V.

LOCATION
BLEILOCH DAM, THURINGIA

PROJECT TYPE
NEW BUILDING

LANDSCAPE ARCHITECTS
RABE LANDSCHAFTEN

COMPETITION
IMPLEMENTATION COMPETITION

A clearly framed, yet permeable facility is being developed in the Thüringer Meer reservoir region. While the heated volume is pooled in a compact building, flexibly usable, covered exterior spaces frame the location, defining it and ensuring a peaceful, robust atmosphere, as well as  enabling many ways for people to get together. A transparent ground floor allows the interior and exterior spaces to merge, thereby ensuring a low-threshold approach to the location. In this way, the state sports federation known as the Landessportbund Thüringen can fulfil its aim of a holistic education policy, in which cognitive, emotional, social, and value- and activity-orientated dimensions play a role.

(104)
CONVERSION AND REFURBISHMENT OF THE WOLFFSKEELHALLE MARKT REICHENBERG

ORGANISER
MARKT REICHENBACH

LOCATION
MARKT REICHENBACH

PROJECT TYPE
REFURBISHMENT AND CONVERSION

COMPETITION
IMPLEMENTATION COMPETITION

The image of a hall enthroned above this location has been familiar to the local residents for decades. The identity-strengthening character of the striking building will also remain preserved in future. However, key measures change both the exterior appearance and the inner structure to fulfil today’s requirements. The result need not be a compromise and allows existing design characteristics to be developed further in a consistent way, thereby merging existing and new structures into a coherent unity.

(102)
CITY LIBRARY, LICHTENFELS

CLIENT
CITY OF LICHTENFELS

LOCATION
LICHTENFELS

PROJECT TYPE
CONVERSION AND NEW BUILDING

PERFORMANCE
PERFORMANCE STAGES 1 – 9

CONSTRUCTION COSTS KG 200 – 800
EUR 5,500,000.00 

GFA
1,840 M2

NFA
1,240 M2

The new city library consists of three volumes: the historical building on the market square, the reading room and a rear-courtyard building. Its organisation in elongated wings picks up on the urban structure, providing a height-development that conforms to the situation.

The reading room is developed without any spatial partition, out of the joint counter that can be locked using a mobile wall outside opening hours. It is structured by a wall of books, its lower section partitioning the library’s auxiliary functions on the ground floor. Its upper section separates the library’s quieter zones from the more lively reading steps.

The three floors of the rear-courtyard building accommodate reading desks, workplaces and the various departments with auxiliary functions. The floors are connected by free-standing stairs. The rooftop terrace on the reading room is designed as a spacious rooftop garden with seating; it is available both to users and to library employees, as well as passers by, serving as a peaceful retreat in the city centre.

CONSTRUCTION 2020 – 2024

(094)
KISWA PERISCOPE, UNIVERSITY OF TÜBINGEN

CLIENT
LANDESBETRIEB VERMÖGEN UND BAU BADEN WÜRTTEMBERG

LOCATION
CENTRE FOR ISLAMIC THEOLOGY, UNIVERSITY OF TÜBINGEN (D)

MATERIALS
FABRIC, ARTIFICIAL STONE, MIRRORS

MEASUREMENTS
1 X 1 X 7 M

IMPLEMENTATION COSTS
EUR 90,000.00

At the University of Tübingen’s Centre for Islamic Theology the KISWA PERISCOPE will provide a location where science and faith can be combined, allowing the themes of  covering and revealing to coexist.

A strip of obsolete Kiswa, the material of the holy Kaaba from Mecca, is presented in the library. A periscope stele in the library’s inner courtyard allows the textile and also the library activities in front of it to be observed from the plateau.

The project is currently being implemented and is due to be completed in 2022.

(093)
PAUSENHEIMATEN

CLIENT
PANKOW COUNCIL, BERLIN

LOCATION
MENDELSSOHN BARTHOLDY HIGH SCHOOL, BERLIN

MATERIALS
SOLID SPRUCE WOOD, LAMINATED, WAX-OIL VARNISH

IMPLEMENTATION COSTS
EUR 136,000.00

“L‘art pour l‘art”, or “art for the sake of art”, which the French philosopher and politician Victor Cousin declared in the mid-19th century and according to which, art was intended merely as an end in itself, “detached from all aims alien to it” (trans. German Universal Lexikon, online, 2019), defines itself by its own uselessness, although this is now only one of many perceptions of art and how it should be. Today, one can bathe in, recline on or walk through artworks, as well as wearing or even eating them.
Above all, art that is bound to a specific location and affects certain realities is often the result of concrete intentions, goals, appropriations and uses. Thus it is surprising that the genre of “art in architecture”, which by definition affects real locations, is almost exclusively dedicated to a lack of purpose, often even a lack of aims. 
The artwork “Pausenheimaten” explicitly formulates its uses and aims.

“Pausenheimaten” (“Breaktime homes”) is the design of two contrasting wooden sculptures entitled “GANZ DA” (“ALL THERE”) and “KURZ WEG” (“BE RIGHT BACK”) in several repetitions. The aim is to offer temporary homes or refuges to pupils at the Felix Mendelsohn Bartholdy High School. Our own experiences teach us that schoolchildren usually leave classes in one of two moods. Naturally, these two moods can be expressed in countless different ways. There is a rather extroverted mood, where one has an urge to express or learn things, but above all communicate. These pupils can use the cluster “GANZ DA” as an appropriate space to express themselves. Alternatively, one can start the break in a more introverted fashion: as preferred by those who are contemplative, tired or simply want to give their minds and voices a break. These pupils can use the other cluster “KURZ WEG”, providing both a space and protection. 

IMPLEMENTATION 2018 – 2021

(092)
LANDSHUT CITY THEATRE, COMPETITION, 4TH PRIZE

ORGANISER
CITY OF LANDSHUT

LOCATION
LANDSHUT

PROJECT TYPE
REFURBISHMENT AND EXTENSION

COMPETITION
IMPLEMENTATION COMPETITION

The new extension to the Landshut City Theatre is harmoniously nestled into the historical “Bernlocher Komplex”, combining with it to express a clearly formulated outer edge. 
Inside, new and old elements are interwoven in a selfless, unreserved manner, thereby achieving the best possible, highly-efficient theatre operations. Its exterior appearance presents the new theatre facility as an autonomous architectural position and provides a prestigious entrance with a forecourt on the southwestern corner of the ensemble. The theme of the vaults inside the existing building is reflected outside in a slightly playful, varied way on the new façade. The extension also refers to the cityscape of Landshut, which is important in terms of its construction and cultural history, by presenting the arch as a familiar aperture form.

(091)
SPATIAL ORGAN, ZIONSKIRCHE, BERLIN

PROJECT TYPE
COMPETITION FOR THE ARTISTIC DESIGN OF A NEW ORGAN AT THE ZIONSKIRCHE BERLIN

LOCATION
ZIONSKIRCHE, BERLIN

Not only the sound of the new organ at Berlin’s Zionskirche emanates into the surrounding area: the organ itself shapes its own space. A “forest” consisting of groups of pipes has been installed on the galleries, offering a new experience for visitors, listeners and worshippers as the enjoy the music. The spatial organisation of the sound sources also provides the organist with the potential to interpret the music in ways that standard organs are unable to achieve.

The organ concept picks up on sacred functions and traditions, while also referring to the social significance of the location: as a place of social openness and interaction (Dietrich Bonhöffer, “East Punk” concerts, the environment movement, Neues Forum etc.), the organ presents itself in a way that can not only be seen from outside, but is also walkable, allowing one to move between its components, gather together and interact with others within it, making it a suitable response to the time and the place.

2ND PRIZE, MARCH 2019

(084)
REVITALISATION, ALTE SPINNEREI KULMBACH, COMPETITION, 2ND PRIZE

COMPETITION ORGANISER
CITY OF KULMBACH

LOCATION
ALTE SPINNEREI, KULMBACH

PROJECT TYPE
CONVERSION, INDUSTRIAL BUILDING

LANDSCAPE ARCHITECTS
STATION C23 LEIPZIG

COMPETITION
2ND PRIZE, IMPLEMENTATION COMPETITION

The former spinning works known as the Alte Spinnerei stands as precisely and proudly as in the heyday of Kulmbach’s textile industry, around a century ago. Unchanged at fist glance, spatial changes have nevertheless been carried out for its new users. They subtly characterise the building’s appearance and redefine its interior: a ground-floor entrance opens the building across the entire length of the square, while a building-high foyer creates a completely new spatial gesture. Low floor-heights fulfil the new demand for smaller spatial structures, without conflicting with the powerful existing façade.

(082)
GRANSEE MONASTERY, COMPETITION, 3RD PRIZE

COMPETITION ORGANISER
MUNICIPALITY OF GRANSEE

LOCATION
GRANSEE LIBRARY

PROJECT TYPE
MONUMENT PRESERVATION AND NEW BUILDING

COMPETITION
IMPLEMENTATION COMPETITION, 3RD PRIZE 

The square in front of the old school becomes the forecourt to the library. New outdoor steps highlight the building’s public function. 

The striking cobblestone path with chestnut trees parallel to the cloister wing already has the spatial power for an appropriate forecourt area in front of the historical building’s new ground-floor exhibition spaces. We use that situation to provide additional access there.

Efficient measures to the urban-planning fabric spatially activate the beautiful garden on the eastern side. This is supplemented by the added promenade and café in the out house. The sweeping promenade defines a new interior courtyard between the cloister wing and the old school; its arches afford various perspectives on the garden, opposite which lies a sunny outdoor area for the café to the north. In between, the garden stretches out as a new space for culture and education in Gransee.

(070)
STÜTZERBACH SUPERMARKET, COMPETITION, 2ND PRIZE

ORGANISER
MUNICIPALITY OF STÜTZERBACH

LOCATION
HÜTTENPLATZ, STÜTZERBACH

PROJECT TYPE
NEW BUILDING

COMPETITION
IMPLEMENTATION COMPETITION, 2ND PRIZE 

The new village centre of Stützerbach is created by the placement of a clear, confident volume that opens up towards the new square in terms of its form and material. A broadly projecting canopy covers the entrance area and creates a protected space for people to gather. The glazed façade facing the square connects the interior with the outside world, presenting a colourful, lively scenario of shopping, relaxing and playing people, as well as goods on offer for sale.

(066)
SPATIAL VOLUME GESTURE, ART FOR THE STAATSOPER BERLIN, COMPETITION, 3RD PRIZE

ORGANISER
CITY OF BERLIN

LOCATION
STAATSOPER BERLIN

PROJECT TYPE
SPATIAL INSTALLATION

COMPETITION
ART COMPETITION, 3RD PRIZE

Minimal contact transforms two-dimensional surfaces into autonomous gestures. Volumes interact directly with the space, creating a spatial-volume gesture.

The confectionery’s 24 wall areas are used as components that express physical gestures. What one sees is physical elements in the process of executing a gesture; implicit movement.

A hand, a finger, or an ankle touches the stretchable material and forces the entire surface to expand in that direction. Only the physical elements that touch the material become permanent in the artwork. The rest of the gesture has evaporated. 

Are they actors on the stage, pressing their way through? Do the movements originate from ballet or opera? Or are they parts of everyday gestures? Is it not a completely normal elbow, like the one of the lady holding a champagne glass? No, are these hands not in the process of darning something? Are these perhaps the people behind the scenes, pushing their way through? Some of the 800 Staatsoper employees?

The presented gesture fragments enable a wide range of interpretation, while offering leeway for the visitors’ imagination and inspiring contemplation on aspects of physicality, disembodiment and the organism of the opera house, with all of its active processes in motion.

(065)
THESE LITTLE THINGS ARE EVERYWHERE BUT ONLY FEW ARE EXAMINED BY AN ARTIST, BIMSB BERLIN

CLIENT
MAX DELBRÜCK CENTER FOR MOLECULAR MEDICINE

LOCATION
BIMSB BERLIN-MITTE

MATERIALS
ARTIFICIAL STONE RECEPTACLE, 26,000 POLYETHYLENE BALLS, RELEASE SYSTEM, LED LIGHTING

IMPLEMENTATION COSTS
EUR 90,000.00

A magical space and also a logically calculated location is being created in the staircase of the BERLIN INSTITUTE FOR MEDICAL SYSTEMS BIOLOGY. Fluorescent balls fall at programmed intervals from the top floor, dropping over 20 metres through the stairwell and collecting in a receptacle on the ground floor.

In Detlev Ganten’s quote on Max Delbrück, he names a key common aspect of art and science. Above all in the field of molecular medicine, and also in the arts, the aim is “to make the invisible visible”. The idea for this artwork springs from engaging with and further developing this concept. The result is a play on the “almost invisible”. The artwork elevates the investigation of tiny particles in systems biology (cells, genomes etc.) to a scale that is visible to the human eye, making it physically and aesthetically perceptible.

140 balls fall through the stairwell during the course of the day. The rhythm at which they fall is orientated towards the mathematical characteristics of normal distribution. By experiencing  a complete cycle of falling particles, observers can grasp the mathematical characteristics of normal distribution through the visual, acoustic and physical rhythm of the falling balls.

THE ARTWORK WAS PRESENTED TO THE PUBLIC AND ACTIVATED ON AUGUST 30, 2019.

(064)
WÜSTENAHORN COMMUNITY CENTRE, COBURG

CLIENT
WOHNBAU STADT COBURG

LOCATION
COBURG, WÜSTENAHORN DISTRICT

PROJECT TYPE
NEW BUILDING

PERFORMANCE
PERFORMANCE STAGES 1 – 6

CONSTRUCTION COSTS, COST GROUPS 300 – 400
EUR 2,000,000.00

GFA
670 M2

GROSS VOLUME
2,250 M3

The municipal building in the Coburg district of Wüstenahorn accommodates a large community hall, a café, a community administration office and seminar rooms.

The community centre presents itself as an inviting facility on the new square, with a large roof and a transparent ground floor.

The building’s typology is orientated towards the lake. In the classic manner of a waterfront pier or pavilion, the wooden building mediates between the bank and the water, and between Wüstenahorn and the Wolfgangsee. By referring to the lake rather than the surrounding residential buildings, it highlights its special role as a place for all the neighbourhood’s residents. The new community centre is integrated into the reed belt and becomes THE lakeside building.

The main level is dominated by the wooden-framed windows, upon which the slate-covered roof rests. End-grain parquet, robust fittings and furniture, and rough-sawn columns characterise the interior. The base level inserted into the slope and the interior core ensure the building’s structural rigidity.

(061)
MASSES IN MOVEMENT – HAMM 2015, COMPETITION, 3RD PRIZE

ORGANISER
CITY OF HAMM

LOCATION
HALDENFAMILIE AM LIPPEPARK, HAMM

PROJECT TYPE
WALKABLE SCULPTURES

COMPETITION
ART COMPETITION, 3RD PRIZE

5 massive, secretive figures define the top crests of the heaps known as Schacht Franz Nord, Radbod, Sundern, Kissinger Höhe and Humbert. Despite their varying heights and widths, they have three common elements that make them clearly recognisable as members of the same family: all five sculptures are based on the cubature of a cylinder and all have volumes of exactly 100 cubic metres.
Furthermore, all five sculptures are made of the stone from the heap upon which they stand.
Engagement with the City of Hamm and its post-mining landscape is therefore direct, by building with the location itself. Stamping makes the waste material, the location and the landscape a defining quality of the sculpture.

(045)
KULTUR.WERK.STADT IN NEUSTADT B. COBURG

CLIENT
CITY OF NEUSTADT B. COBURG

LOCATION
NEUSTADT B. COBURG

PROJECT TYPE
CONVERSION AND EXTENSION

PERFORMANCE
PERFORMANCE STAGES 1 – 9

CONSTRUCTION COSTS, COST GROUPS 300 – 400
EUR 3,500,000.00

GFA
1,847 M2

GROSS VOLUME
6,535 M3

From linear to multivalent
In several stages, our design for the kultur.werk.stadt. transformed the Patzschke printworks from a production-line building to a diverse, multivalent cultural centre. The new kultur.werk.stadt now consists of event and exhibition halls, the municipal cultural administration and archive, artist workshops, adult education rooms and a museum on the history of the inner-German border.

Architectural idea
Glass building-block walls divide the former printworks halls into different rooms and access areas. The historical editorial villa was refurbished in accordance with preservation regulations. An extension is developed out of the landscape of roofs, forming a forecourt that announces the ensemble’s new public significance.

(043)
SPHÄRE G1 – MUNICH 2013

ORGANISER
CLINIC OF THE UNIVERSITY OF MUNICH

LOCATION
MARCHIONINISTRASSE, MUNICH

PROJECT TYPE
WALKABLE SCULPTURE

COMPETITION
ART COMPETITION

Competition for the artistic design of the outdoor areas – Clinic of the University of Munich
New construction of the Centre for Stroke and Dementia Research

The walkable sculpture “Sphäre g1” affords various use and appropriation options to people walking through it, be they patients, visitors or researchers. The sculpture allows different interpretations and becomes whatever is closest to the relevant person’s imaginative world.

While one person might enter a cave-like object where they feel sheltered and find peace, another rings the bell and feels that the sculpture is probably a small, unusual chapel. A third person is overcome by the sense of a journey into their own brain as they enter the round volume, while a fourth might adopt the artwork as their favourite lunch-break location, to eat a sandwich in bright natural light, despite being protected from the weather.